and spiritual elements that are central to the narratives. At the start of the collection, Waley provides an introduction that immerses the reader in the world of Nō theatre, discussing its significance and the staging and performance style that distinguish it from Western drama. The opening section presents three plays: "Atsumori," which revolves around the themes of guilt and redemption, introduces Kumagai, a warrior turned priest, who encounters the ghost of Atsumori, a young man he killed in battle. "Ikuta" follows a young boy seeking to meet his deceased father, Atsumori, and highlights themes of loss and parental connection. Finally, "Tsunemasa" explores the sorrow of a ghost who returns to listen to prayers dedicated to him. Through these narratives, the book encapsulates the profound spiritual and emotional depth characteristic of Nō plays. (This is an automatically generated summary.)